Not so strange after all...

I've been working on some more images from the Jazz & Blues fest but ran out of time. Maybe I'll get them through the ddr tomorrow

After a call with Masa, I understand now what seemed to be a strange decision a few days ago. In a nutshell, their production process does produce great images - that's why I chose them as my one-stop shop - and their charges are higher than the high volume places (you get what you pay for).

From their perspective, they are concerned that a photographer will get canvases produced at Masa but any sales made at exhibitions outside Masa's control won't come back to them for production; in a sense a superior product will be used to sell inferior reproductions.

And I guess that's understandable.

But I've cleared it with them and they've confirmed that they're still happy to act as my one stop shop; that is, they trust my professional integrity. Which is always nice :)

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Funny old day, Saturday

A strange day it's been. It started with a meeting with Mike H down at Masa gallery. It seems there's been a sea change in the gallery's approach.

Starting with the move to the new premises, they're going to focus on exhibitions featuring a particular photographer at a time; maybe over a two week period. And they'll now only produce photographic work (and fine art reproductions) if they are exhibiting the work. This last part puzzles me, but there must be a reason...

Then it was the start of both the Artemis Transat (solo transatlantic yacht race) and the inaugural Barbican International Jazz and Blues Festival. I've been invited to take photos at the various Jazz and Blues events and was duly issued with an official press pass.

I took some shots of Louise Parker, Plymouth's First Lady of Jazz, that turned out ok and some of the Dixie Blue Band of St Malo, France... again a couple were ok.

I'll post some as they come out of the ddr and as the week progresses.

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