Wednesday, 9 December 2009

New Zazzle Promo Panels and more poetry

I'm finding the Google Gadget I called Zazzlit! very useful in my publicity drive and I've been trying my hand at more poetry with another verse, for a Christmas Card this time.

New Zazzle Promos

As promised to my Zazzle community, I've just added another three panels, one for Christmas (HRXms), one for Hanukkah (HRHnk) and one for New Year (HRNyr) gear. See the promo page and its top product lines.

Christmas Card and Verse


Here's the verse:
In lowly manger gathered they,
Who, led by star to holy crib,
Brought gifts of Olibanum,
Gold and Myrrh

And, joining feather, hide and wool,
Gave praise to God for our Lord Jesus
Born to save us all
Copyright © Highton-Ridley 2009


comments / critique / feedback always welcome :)

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Tuesday, 8 December 2009

More poetry - well, a card verse...

I actually did this a couple of days ago but haven't found the time to post about it. Giving you plenty of time to recover from my last verse! Hehe!

Another card verse

I wanted to do some Thinking Of You cards for my Zazzle store. Again I had to write a short verse for the sentiment. What do you think, is it up to scratch?
It's been too long since last we met
Since strolling where
our feet would lead
And chatting all the while

So, friend of mine, here's hoping soon
Our paths again will cross, and
Once again we'll chew the cud
Until the time to part
Copyright © 2009 Highton Ridley

Here are the cards that the verse is in:
create & buy custom products at Zazzle

So, what do you think of my little ditty? I'd love to get some feedback...

comments / critique / feedback always welcome :)

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Saturday, 5 December 2009

I tried some Card Sentiment poetry

I've been a busy chap, juggling various activities...

This evening, I'm a poet...

...maybe :)

For my Zazzle store I thought I'd do a couple of thankyou cards with a poem for the sentiment. Hmm, not quite sure, what do you think? Does it catch the sentiment ok or should I think about changing it?
Thank you for being you
For always being there
For shielding me from all the hurts
When thoughts became despair
But most of all you have my thanks
The answer to my prayers
But due the most, are thanks for being
An answer to my prayers
Copyright © 2009 Highton Ridley


create & buy custom products at Zazzle

Don't be shy, I'd love to hear what you think—yes, you blokes as well!!

comments / critique / feedback always welcome :)

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Sunday, 11 October 2009

A lakeside scene - in colour!

Unusually for me, this one seemed best in colour.

Lakeside Rest

I took this at the same time as my recent pony shots at the Miniature Pony Centre on Dartmoor.
 

Lakeside Rest

A simple scene, a bench overlooking a small lake complete with duck-house on stilts. It looked so restful, I was determined to give it a try but my god-daughter wanted to get back to petting the ponies instead. I'm glad she did because it was then that I took the pony shots that turned out so successfully—the ones I turned into a triptych.

So, does this pass muster for a colour shot? Are the colours lifelike? Are their any 'colour' rules of thumb I don't know about that I've heinously broken?

Regular readers will know I don't really do colour so I really am after some feedback :) Thanks!

comments / critique / feedback always welcome :)

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Saturday, 25 July 2009

Pilgrim's Point — a rare one in colour!

Well, here's a bit unusual for me, a colour shot!


Pilgrims' Point, Mayflower Steps, Plymouth

Background and funny story behind the shot

I had received a cheeky request from a print magazine for photos of Plymouth they could use (unpaid, mind! but at least they did say they'd credit the photographer).

Well, I haven't taken any touristy colour shots for a long, long time and I thought I should brush up my skills a bit. I don't live more than a 15 minute walk from the Barbican so I headed down there to shoot the arch and point.

Although it was a sunny day, there weren't that many folks around. I waited until the area was clear and tried a few angles, positions. While I was checking out this, my final selection of viewpoint, a German couple showed up in my viewfinder, within the area set off by the handrail.

The chap, I'll call him Hans, was armed with camera and video recorder. To understand what followed, you must realise that I am British, with all that means with regard to queuing, a sense of what's, well, fair, combined with a stoic but non-committal silence when faced by breaches of what should be the adopted etiquette — "when in Rome...".

Hmmph!

So Hans took his time over a bunch of photos, with his misses kinda staying in the background, maybe trying to keep out of my way? But not Hans. Oh, no, out came the video camera and, again, he took his time over it — setting it up, videoing this and that. Then it was a slow walk round while videoing the handrail (it's engraved with pictograms and text explaining the journey of the Mayflower). Then he videoed first one plaque, then the other — from this angle and that. Hmmph!

Cheeky %&^@* !!

Every so often, he glanced down at me (I was on the steps below, looking up, extra low spring tide lapping at my feet). He could see I was waiting patiently to take my shot (still!!!) and then you know what finally happened? The blighter had the cheek to start videoing me, looking up at him!

Revenge the British way!

Well! I did what any British gentleman would do, I gave him the sternest of my mild surprise looks, tinted with just the merest traces of annoyance and scorn (like feather daggers they drifted his way to pierce his karma). Hans has never had the privilege of being oblivious to such exquisite subtlety of mildly-pained-and-slightly-surprised expression before. That'll teach him, thought I!

I think it must have worked on some level of Hans' subconscious because, not too long after, he stopped videoing me, took his time putting his kit away, and without a backward glance he and his lady were off.

Now, I started by saying I'm sure they were very nice people and all that, but you know, come on!

About the shot... I intend to revisit it in the digital darkroom because I stupidly didn't pay heed to the chromatic aberration (the magenta edging to the lhs of the arch) - until the end. Darn it!

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